This thesis offers an analysis of selected works by Virginia Woolf through the theoretical framework of technology of place. The term “technology”, meaning both a finished product and an ongoing production process, a mode of concealment and unconcealment in Martin Heidegger’s sense, is used as part of this thesis’s argument that place can be understood through constant negotiations of concrete place perceived through the senses, a concept based on the Heideggerian notion of “earth”, and abstract place perceived in the imagination, a concept based on the Heideggerian notion of “world”. The term “technology of place”, coined by Irvin C. Schick in The Erotic Margin: Sexuality and Spatiality in Alteritist Discourse (1999), is appropriated and r...
Virginia Woolf's A Room of One's Own is symptomatic of an increasing tendency of female privacy to d...
AbstractVirginia Woolf and the Mediated Modern Subject: Class System, Spacetime, and the Aesthetics ...
This thesis considers Virginia Woolf’s The Years (1937) in relation to Jacques Rancière’s thinking o...
"Technology," as both technical and common term, is often associated with scientific and industrial ...
A critique of the social construction of space was fundamental to Virginia Woolf\u27s overall femini...
[[abstract]]Abstract The aim of this thesis is to explore the significance of exotic spaces in Virgi...
The supple and ever-present search for the possibilities offered by the narrative form in fictional ...
Virginia Woolf is one of the leading figures of modernism, a way of seeing and representing the worl...
Neurocognitive research has confirmed that people perceive and remember the “rooms of their o...
This book offers an interpretative key to Virginia Woolf???s visual and spatial strategies by invest...
This thesis offers a philosophical and affective history of the subject-object encounter in Virginia...
The book offers an interpretative key to Woolf’s visual and spatial strategies by investigating thei...
In this thesis, I explore the effect of the different domestic interiors inhabited by Virginia Woolf...
[[abstract]]This paper attempts to put Virginia Woolfs A Room of One's Own in the feminist context a...
My thesis recognizes Virginia Woolf's writing to be composed of a mosaic of multiple art forms such ...
Virginia Woolf's A Room of One's Own is symptomatic of an increasing tendency of female privacy to d...
AbstractVirginia Woolf and the Mediated Modern Subject: Class System, Spacetime, and the Aesthetics ...
This thesis considers Virginia Woolf’s The Years (1937) in relation to Jacques Rancière’s thinking o...
"Technology," as both technical and common term, is often associated with scientific and industrial ...
A critique of the social construction of space was fundamental to Virginia Woolf\u27s overall femini...
[[abstract]]Abstract The aim of this thesis is to explore the significance of exotic spaces in Virgi...
The supple and ever-present search for the possibilities offered by the narrative form in fictional ...
Virginia Woolf is one of the leading figures of modernism, a way of seeing and representing the worl...
Neurocognitive research has confirmed that people perceive and remember the “rooms of their o...
This book offers an interpretative key to Virginia Woolf???s visual and spatial strategies by invest...
This thesis offers a philosophical and affective history of the subject-object encounter in Virginia...
The book offers an interpretative key to Woolf’s visual and spatial strategies by investigating thei...
In this thesis, I explore the effect of the different domestic interiors inhabited by Virginia Woolf...
[[abstract]]This paper attempts to put Virginia Woolfs A Room of One's Own in the feminist context a...
My thesis recognizes Virginia Woolf's writing to be composed of a mosaic of multiple art forms such ...
Virginia Woolf's A Room of One's Own is symptomatic of an increasing tendency of female privacy to d...
AbstractVirginia Woolf and the Mediated Modern Subject: Class System, Spacetime, and the Aesthetics ...
This thesis considers Virginia Woolf’s The Years (1937) in relation to Jacques Rancière’s thinking o...